In this 2016 piece, filmmaker and cultural theorist Manthia Diawara (“African Film: New Forms and Aesthetics and Politics”) addreses the significance of Ousmane Sembène's debut film.
Manthia Diawara
Self
Williams
Ex Libris: The New York Public Library
Return to Homs
Re-Existences
Notturno
Birth of the Living Dead
Maroun Returns to Beirut
Fuck
Rich Hill
The U.S. vs. John Lennon