A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
Manuel Bandeira
Self
Ripple
Blow-Ups of 1947
Crushed
Home Movies
Sunday Dinner: DMV
Hold on Tight
Steppin' Out
With Sea Views
John Was Trying to Contact Aliens
I Want to Return Return Return
Extremis
Room 666
Serpentine Dance
Period. End of Sentence.
Lost Worlds: Life in the Balance
The Sound of Seeing
The Mad Masters
Spider-Man: All Roads Lead to No Way Home
Black Sheep
Solid Serenade