Danish film scholar, Lars-Martin Sorensen, describes US censorship of Japanese film during the American occupation of Japan (1945-1952) and the challenges Kurosawa faced from these censors on his early films, particularly Drunken Angel (1948).
Robert Fischer
Self
Lars-Martin Sorenson
Public Speaking
Night Will Fall
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
Rich Hill
Seduced and Abandoned
In the Realms of the Unreal
Naqoyqatsi
Downloaded
Ex Libris: The New York Public Library
The U.S. vs. John Lennon