A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
Muhamed Osmanović
Himself
After The Dream Comes True
The Noise of Time
Small Mall
Back to Bosnia
Fanfares
Sky Above Srebrenica
The Bosnian Pyramids: The Biggest Hoax In History?
Accordion Tribe: Music Travels
The Dead Mall
Orkestar aka Orchestra